What’s at stake? 
Each scene needs to push the action forward      in some way and you may have lost the emotional connection with your hero      or heroine. Try asking yourself: is what’s at stake strong enough?  
Fling in a problem
Chuck in something that stops the action in its      tracks, and causes your hero/heroine maximum embarrassment, anguish or      whatever.  Lydia Bennet running off      with Wickham in Jane Austen’s Pride      and Prejudice is a brilliant example of this; it brings Lizzy and      Darcy’s increasing intimacy to a sudden halt and throws a serious spanner      in the works. Suddenly, a whole lot more     is at stake.
Good luck.
Elizabeth Hawksley

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